Here are links I found interesting on January 11, 2012:
- This Photograph Is Not Free – Which begs the questions: (1) why do people expect to get it for free and (2) why do some people give it away for free?
Here are links I found interesting on January 11, 2012:
Just a quick post after an unusual photo flight.
I did a “first light” photo flight this morning. The client: me.
I needed a bunch of photographs that could clearly illustrate how a change altitude affects the perspective of an aerial photo scene. So I armed my helicopter with a battery of GoPro cameras, set them up to snap an image every 2 seconds, and went flying at dawn.
For about 90 minutes.
On the way back, I spotted a number of hot air balloons in the sky northeast of Deer Valley Airport. This isn’t anything unusual; the balloons are up every morning for the first hour or two of the day. But what was unusual is my attempt to capture images of the balloons.
Instead of satisfying myself with the usual fly by images, this time, I climbed to about 1,000 feet AGL, pointed the helicopter southwest toward the balloons, and brought it into a hover. And held it there for about a minute.
While I was hovering there, facing the balloons, I got a weird feeling, as if I were a bird trying to join a flock. I could imitate their motion (or apparent lack thereof), but I wasn’t one of them.
Anyway, this is one of the shots I captured, cropped for better presentation. As you can see, there was one balloon at a higher altitude but most of the others were lower. Can you see them all in this shot? I count seven.
I couldn’t do anything about the distance. The GoPro cameras have a wide angle lens, making everything seem farther away than it really is. If I got any closer, the folks in the closest balloon — which was also the one higher than me — may have freaked out. (If you think airplane pilots hate helicopters, you should talk to a balloon pilot one day.)
This isn’t, by far, the best photo shot this morning. But it’s the one I thought of from the moment I lowered the helicopter’s collective to descend back toward Deer Valley until the moment I first viewed it on my computer.
I really do need to spend some time in a balloon soon.
…or why I love my work as an aerial photography pilot.
Regular readers know that one of my jobs is as a helicopter pilot. Sure, my little company offers tours and day trips from Phoenix in the winter and dries cherries in Washington State in the summer, but my favorite kind of flying is for aerial photography.
To me, there’s nothing more rewarding than being a pilot for a talented still or video aerial photographer. These are the people who not only understand basic photographic concepts such as light and composition and exposure, but who also know what a helicopter can do and how they can use it as a tool to get amazing images of the world around us.
In August 2010, I had the privilege of working again with Mike Reyfman, a regular client, over Lake Powell in northern Arizona/southern Utah. He was there for the AirPano Project, capturing images that would become interactive 360° aerial panoramas, as well as still photos around the lake.
He emailed me yesterday to let me know that the Lake Powell Panoramas had finally been put online. There are four of them, including one shot over Reflection Canyon (see screen grab below). Each image is interactive, drag in the image to pan and zoom. You can click on the helicopter icons to switch from one viewpoint to the next. Here’s where you can find them.

Aerial photo work is challenging, especially with a demanding photographer on board who knows exactly what he wants. Mike is one of those photographers. Not only does he know what time of day he wants to shoot, but he provides instructions regarding shooting location, direction, and altitude. For the panoramic shots, I need to get into an out of ground effect hover, sometimes as high as 3,000 feet above the ground, and hold it there for 5 minutes or more. This isn’t easy in my little R44, especially in windy conditions.
But it’s worth it, as Mike’s panoramic images and other shots prove.
I find it especially rewarding work, though. Although I didn’t create the incredible images the photographers on board make, I feel that I was instrumental in making those images possible. After all, my helicopter and I were part of the photographer’s equipment — almost like a tripod. Surely to say that the image would not exist without us isn’t too far from the truth.
And so despite the challenges and the relative dangers, I love flying aerial photographers. And I love seeing the work they create when they fly with me.
Here are links I found interesting on December 27, 2011:
Another chapter in my never ending saga: any excuse to fly.
Early this week, it rained.
That might not seem like a big deal to most folks, but it rains very seldom in Arizona. In fact, I hadn’t experienced a good rainstorm since my drive back from Washington state in October.
This week, it was cold and rainy for two days in a row. With rain comes three things:
You need to be a desert dweller to really appreciate these things.
There’s nothing I like more than to go flying over the desert right after a good rainstorm. So on Wednesday, as the storm clouds moved north and blue sky started to appear again, I loaded up my GoPro cameras and mounts, hopped in the car, and drove up to Deer Valley Airport, where my helicopter is living part-time this season. When I arrived just before 9 AM, my helicopter was sitting out on the pavement, ready for me to preflight, set up my cameras, and go.
I took my time about setting up the three GoPros. I have three different models and I use each one for a different purpose.



So to summarize: I set up the helicopter as a camera mount for three different cameras: 2 shooting video and 1 shooting stills.
I turned on all the cameras, climbed into the cockpit, and started up. Five minutes later, I was overflying Deer Valley Airport at 500 feet AGL, northbound. Here’s a nice shot of the airport from the nosecam:

The beauty of all this was that with this setup, I’m able to capture images from three cameras without having to even think about any of them. Absolutely no distraction for me, allowing me to keep my full attention on my primary duties as a pilot: aviate, navigate, and communicate.
The flight was not quite what I had in mind. I was hoping to overfly Lake Pleasant and get all the way to Wickenburg. But as I neared Lake Pleasant, I saw low clouds over the lake. There was mountain obscuration to the northwest — which means the clouds were pretty darn low, since those mountains aren’t exactly lofty peaks. Here’s a nose cam image of the marina at Lake Pleasant near the dam; you can see the low clouds at the north end of the lake:

I wasn’t very interested in getting images and video shot in overcast conditions. So I decided to head east, where the sky was clearer and sunlight was filtering through to the desert floor.
There was a balloon flying southeast of Lake Pleasant and I tried to get some shots of it with the skidcam. Trouble is, the GoPro’s very wide angle lens exaggerates the distances. If I wanted a good shot of the balloon where it looked close, I’d have to get much closer to the balloon. While I think I could have gotten closer safely, I didn’t want to give the balloon operator or his passengers heart failure so I stayed clear. This is the best I could get; again, a shot every 2 seconds would have given me more to choose from.

As I flew east, the two front-facing cameras were pointing toward but not exactly into the sun. GoPro cameras get their best images when the sun is at an angle of at least 60 degrees from the lens. According to the LightTrac app on my iPhone, at about 9:45 AM the sun was at about 140 degrees. I was flying at about 90°, so the sun was at 50° angle to the front-facing cameras. At the same time, it was at a 40° angle to the skidcam, which was facing almost due south. (Obviously, I didn’t look up the angles while flying.) As a result, the images from this leg of my flight were pretty disappointing. Here’s an example from the cockpitcam as I flew over the intersection of I-17 and Carefree Highway:

I flew all the way out to the Verde River and then headed up the river as far as Bartlett Dam. The two photos near the beginning of this post shot nosecam and skidcam views. Since more gray skies and low clouds covered Bartlett Lake, I turned around and headed south. The cockpitcam shot near the beginning of this post shows my view as I headed approximately southwest. After a tiny bit of shallow canyon flying (see nosecam photo below), I headed toward Scottsdale where sun, low clouds, and rocky outcroppings made for interesting views.

I got a nice shot of Pinnacle Peak from the skidcam at several altitudes for use in a book project I’m working on.

I also got nosecam and cockpitcam footage as I approached the peak. Interesting to see the difference between these two views, shot at about the same time.


By that point, I’d been in the air for about an hour and thought I had enough footage to test my setup thoroughly. I headed back to Deer Valley. The one mistake I made was that I flew along side a power line, with the power line on my right — right in the view for my skidcam. This was very unfortunate because the camera was facing north at this point and could have captured a lot of nice footage. Instead, all the footage features the damn wires.

I guess that proves that I wasn’t really thinking much about the cameras.
And for those who are interested in such things, this is the track log of where I flew, as recorded on my iPad.

In all, I got just over 300 photographs and 2 hours of video — an hour from each camera. Quite a bit of it is useable and will likely appear in edited video content I produce in the future.
I plan to try shooting video from the skidcam. I could see it from my window and checked it a few times in flight to see how much it was vibrating — it didn’t seem to be vibrating much at all. Of course, you can never tell until you shoot the video and see the results. So that’ll be my next test, probably tomorrow.
I took photos of all my cameras as they were mounted before beginning the flight. I hesitate, however, to share them or provide detailed information. Although I know many pilots who regularly mount cameras on the outside of their aircraft, it’s one thing to talk about it and another to document it with photos for the world to see. I’m very confident in two things:
These are the only things that should concern a pilot or anyone overseeing that pilot’s activities.
I welcome your comments, questions, and suggestions. Post them here.