One Publisher’s Experience with KDP Select

A mistake, pure and simple.

Back in December, I wrote “Amazon’s Bribe to Publishers: KDP Select and the $6 Million Fund,” a blog post where I discussed the Kindle Owners’ Lending Library and’s attempt to fill that library with books: the KDP Select Program.

The Deal

KDP Select offers Kindle format ebook author/publishers a chance to earn a piece of a monthly $500K or $600K fund. Enrolled books must:

  • Be available for sale on only. In other words, if you enroll a title in KDP Select, you cannot sell the same title as an ebook anywhere else. gets the exclusive right to sell your ebook on
  • Allow Kindle owners who are also members of Amazon Prime to borrow the enrolled book for as long as they like for free.
  • Keep the enrolled title in the program for complete three-month terms. Once you sign up, there’s no getting out. And if you don’t turn off the automatic renewal option — which is enabled by default, of course — the book is automatically re-enrolled for another three months.

There are other “benefits” as well. For example, you get the option of making your book available for free to anyone on (Imagine that! They let you give it away!)

The Bait

Compensation comes in the form of a share of the fund. Here’s how Amazon explains it; note the big numbers they use to make author/publisher mouths drool:

Your share of the Kindle Owners’ Lending Library Fund is calculated based on a share of the total number of qualified borrows of all participating KDP titles. For example, if the monthly fund amount is $500,000, the total qualified borrows of all participating KDP titles is 100,000, and your book was borrowed 1,500 times, you will earn 1.5% (1,500/100,000 = 1.5%), or $7,500 for that month.

So according to Amazon, although you’re letting a whole bunch of people read your book for as long as they like for free, you could still make $7,500 (or even more!) in a month on that book.

I Bit

My only ebook title at the time, Making Movies: A Guide for Serious Amateurs, was selling a few copies here and there on’s Kindle store, Apple’s iBookstore, and’s NOOK store. Not anywhere near enough to make me feel good about my first attempt at ebook publishing.

I thought for a while about KDP Select. I blogged about it. And I figured, what do I have to lose? So I signed up in December and even did a free book promotion for Christmas Day.

The Results

Over the next three months, I saw the following results:

Transaction Type Units Earnings Per Unit Avg.
Sales at 35% Royalty 2 $2.80 $1.40
Sales at 70% Royalty 37 $92.46 $2.50
Free Book (Christmas Promotion) 333 $0.00 $0.00
KDP Select Borrows 10 $18.40 $1.80
All Transactions 382 $113.30 $0.30

Let’s take a moment to analyze this. Here are the points that jump out at me:

  • Over a three-month period, the KDP Select program earned me a total of $18.40 for this title.
  • During the same period, regular Kindle earnings totaled $95.26. These are actually people who bought my book. I would have earned at least this amount if I had not been on the KDP Select program. I might have earned more if the 10 people who borrowed my book had bought it instead.
  • The average earnings per book borrowed was $1.80; the average earnings per book sold was $2.44 per book (that’s $95.26 ÷ 39).
  • Factoring in the free books, my KDP Program average earnings was less than 6¢ per book (that’s $18.40 ÷ 343).

Of course, this does not take into consideration sales that were lost because the book did not appear in buyer-preferred markets such as the Apple iBookstore and NOOK store. Based on sales figures before and after the book’s enrollment in the KDP Select program, that could be anywhere from 5 to 15 units per month.

So the KDP Select program earned me $18.40 and possibly lost me quite a bit more.

I don’t see any good from this at all. None. Do you? If so, explain it to me.

The Exposure Argument

A friend of mine who published his first novel on the Kindle platform enrolled his book in KDP Select about a week or two before I did. He and I had discussed it briefly via email before I dove in. He had the same “it’s worth a try” attitude that I did.

The other day, I contacted him with the following question:

How did your KDP Select deal go? Did you make any money worth talking about? I’m about to blog about my experience and was wondering what you thought about it.

His response:

Definitely no money worth talking about, unless that would be about $25! And no borrows at all. However, I’m letting it run for another 3 months. What has been encouraging is working with World Literary Cafe’s free promotion day, which runs through KDP Select’s free promotion days. That doesn’t bring in money directly but does at least bring exposure which has resulted in some sales and hopefully reviews at some point.

And that brings up an interesting point: exposure.

A writer who is just beginning to publish his work (such as my friend) has different goals than a writer who has been publishing her work for years (such as me).

Show Me the Money

I’m in it for the money, pure and simple. As print publishing dies and my existing titles no longer warrant revision, I need something to fill in the income gap if I expect to maintain the freelance lifestyle I’ve enjoyed for the past 20+ years. I need to create a book for a definable market and sell to that market at a price it’s willing to pay. In the ebook world, that price appears to be under $10 — more likely under $5. I did the math and realized that in order to succeed on this path, I need to build a library of long-lived titles and sell an average of 60-80 books a day. That’s why I was initially so disappointed in the sales results for my first book. It wasn’t even a drop in the bucket I needed to fill if I wanted to continue earning a living as a writer — which is what I’ve been doing for 20 years.

But I’m not in it for exposure. I have exposure. I’ve written and published more than 80 books, the vast majority of which are with major publishers such as McGraw-Hill, Peachpit Press, O’Reilly, and Macmillan. I support my books via a Website that gets about 1,000 hits per day. I’m occasionally interviewed on podcasts and video podcasts and have appeared numerous times at Macworld Expo. I may not be a “name brand” like some others who write the kinds of things I do, but I’m certainly quite a step up from those just entering this field.

Expose Yourself

My friend, however, is not in the same position. He’s new to writing novels and, as anyone who has done so can tell you, it’s extremely tough to break in. There’s lots of competition, much of it from best-selling authors that people turn to every time a new title comes out. It’s hard to get recognition for your work, let alone try to sell it when there’s just so much competition.

He’s doing the smart thing — the same thing I did years and years ago when I started out: he’s trying to build a name for himself. To do that, he needs to get his work in front of as many people as he possibly can. He needs his book read and reviewed, preferably with lots of stars and good comments. He needs to begin building a base of readers who not only like this first book, but will be anxiously awaiting his second. And third. Readers who will be willing to show support by paying to read his work.

And that’s why he sees KDP Select as something that might help him in the long run.

Is KDP Select Worth It?

In my mind, no. Definitely not. The exclusivity is enough to convince me that it’s not something I ever want to do again. After all, my third Maria’s Guides book, iBooks Author: Publishing Your First Ebook, is selling like crazy on the iBookstore. If I did an exclusive on, I’d lose out on all of those sales.

But for authors/publishers just starting out and trying to do the best thing for the long haul, it might be worth a shot. My friend seems to think so.

An Objective Comparison of Ebook Distributors

What I’ve noted so far.

I published, through Flying M Productions, my first ebook in October 2011 and have since published two others. (Learn about all of these titles here.) I went mainstream on all of the ebook distributions, choosing Amazon Kindle (custom mobi), Apple iBookstore (epub), and Barnes & Noble NOOK (epub). With about five months of sales and reseller experience, I thought it was about time to share my observations of these three platforms.

For each criteria, I provided a grade and notes to back it up. Remember, this is based on my experience with just these three books. For the iBookstore, I do not include my experience with iBooks Author-generated books in the table; that’s discussed briefly at the end of this post.

Criteria Kindle Store iBookstore NOOK Store
Ease of Publishing A
It’s very easy to get into the Kindle Direct Publishing program and publish books.
Apple’s iTunes Connect program requires a lot of paperwork and acceptance of agreements that are often updated. Its interface for publishing is surprisingly unintuitive (for Apple). It requires a unique ISBN for every book sold.
Getting into the B&N Pubit program is relatively easy, although there is an approval process that takes some time. Its online book submission process is easy.
Publisher Support D
Publisher support is nearly non-existent. It’s difficult to send questions. Most questions are answered with a “canned” response. Often, I’m told my question needs more research, but an answer never comes.
Publisher support is handled primarily through a menu-driven help system that’s poorly designed. It can take more than a week to get an question answered and it’s usually with a “canned” response.
I have no experience with B&N’s support system.
Ease of Creating Acceptable Documents B
I convert from epub to Kindle using the Kindle Previewer app. This usually goes smoothly the first time around, but it does require that conversion.
Apple is extremely particular about formatting and unusual characters in ebook files. For example, it doesn’t like uppercase filename extensions or spaces in file names. This often requires a lot of digging around in epub format files to fix problems. To be fair, I could probably improve my templates to prevent some of the problems I encounter.
B accepts just about any epub I send, as long as it isn’t any larger than 20 MB (which I think is too restrictive.)
Appearance of Ebook C
The Kindle format inconsistently formats bulleted lists and font sizes and completely ignores some formatting. As a result, my books are not usually formatted as I’d like to see them.
My iBookstore books usually look very good. Apple is true to all epub formatting.
My NOOK books usually look very good, although I sometimes notice instances where formatting is ignored.
Speed of Review Process A
Amazon consistently makes my books available for sale within 24 hours of posting.
There is no consistency in the speed of Apple’s review process. I had one book appear within an hour of posting while I waited a week or more for others.
B&N consistently makes my books available for sale within 48 hours of posting.
Sales A
In most instances, Amazon sells the most books.
Apple sells reasonably well — unless a book has an unusual amount of appeal to Mac users, in which case, it sells best.
B&N’s sales are sluggish and rather disappointing.
Royalties D
Amazon offers the worst publishing deal. To get 70% royalties, you must price the book between $2.99 and $9.99. The 70% commission rate is only available for books sold to certain countries. All sales to other countries earn just 35%.You must also pay “delivery fee” based on the size of your book file for all books sold at the 70% commission rate. Amazon enforces price matching, so if your book is available for a lower price elsewhere, Amazon will arbitrarily lower the price of your book in the Kindle Store. And don’t even think of getting into the KDP Select Program; that’s something else I need to blog about soon.
Apple offers the best publishing deal: 70% flat rate on all books. No hidden costs, no exceptions to the 70% rate.
B&N also offers a good publishing deal: 70% flat rate on all books.
Sales & Royalty Reporting C
Amazon’s reporting system is inconsistent and confusing, although it does have up-to-the-minute sales figures. Amazon’s staff does not reply promptly (or at all) to sales/royalty report questions. Reports seem to indicate book sales at unauthorized prices, making me wonder whether Amazon is ripping me off.
Apple’s reporting system is updated daily. Reports can be viewed its iTunes Connect website as well as in an extremely well designed iOS app.
B&N’s reporting system is minimal but accurate.
Final Grade B
The only reason Amazon gets such a good grade is because it sells a lot of books. Its royalty structure sucks, but I can still earn more there for most titles than anywhere else.
Apple’s fair royalty rate and reporting help it score well, but its disappointing sales figures and inconsistent review process keep it from getting a better grade.
B&N is a nice platform, but low sales keep it from getting a better grade. In all honesty, if it weren’t for the fact that publishing there was so easy, I probably would’t bother.

Of course, it remains to be seen how well my iBooks 2 interactive (enhanced) books do on the iBookstore, since Apple is taking so damn long to approve them.

Do you have any experience with any of these publishing platforms? If so, what have you observed? Share your thoughts in the Comments for this post.

The iBooks Author Gamble

Taking a chance and not liking what I see so far.

iBooks IconIn late February and early March, I spent about 2 weeks porting my existing 242-page iBooks Author book to iBooks Author software for publication as an iBooks 2-compatible interactive (or “enhanced”) ebook.

Moving over the text wasn’t a huge deal — mostly copy and paste, followed by the application of styles I’d created or modified for my custom iBooks Author template. But rather than simply copy and paste the 100+ screenshots that are part of the print, epub, and Kindle format books, I decided to rely on videos to tell the story. So I spent most of that time recording a total of 3 hours of original video content based on the numbered step-by-step instructions in the book. I also used the Gallery widget and created an illustrated Glossary.

The final book turned out to be 150 pages and 1.3 GB in size. And it looked awesome (if I do say so myself) — the perfect example of how a iBooks Author could be used to create how-to content.

The Waiting Begins

Final Count
It took 55 days for this book to be approved by Apple.

I submitted the files to Apple via iTunes Connect on Sunday and began waiting for approval.

Monday, Tuesday, Wednesday, Thursday — I spent the week waiting. It’s now Friday and I’m still waiting.

In iTunes Connect, the book’s status remains:

Book In Review. This book is currently being reviewed for quality assurance.

A New Week brings New Developments

Final Count
It took 75 days for this book to be approved by Apple.

I’d already committed to converting my Making Movies book to iBooks Author format. Because the video for that book already existed — I used video clips taken from the example movie — the creation process was much quicker. I figure I put a total of 10 hours into the conversion process. I submitted it today.

And that’s when I discovered two things:

  • Apple no longer allows submissions of books created with iBooks Author 1.0 (or 1.0.1). It requires the latest version, released the other day, iBooks Author 1.1, which includes support for the new iPad. My iBooks Author book was created with the previous version. Is that what’s holding up approval?
  • A warning appeared on screen when I attempted to upload my 233 MB book, telling me that Apple recommends that books be no larger than 200 MB because some users might have trouble downloading a larger book file. My iBooks Author book was considerably larger than this. Is that what’s holding up approval?

Of course, there’s no way of knowing. Apple’s iTunes Connect/iBookstore support is absolutely dismal. If you ask a question, you’re lucky to get a response in less than a week — if you get any response at all. And that response is likely to be “canned” — in other words, boilerplate text possibly chosen at random by the support person who handled your request.

Rejection Could Be Painful

And nagging away at the back of my mind is a blog post by Seth Godin where he reported that his book had been rejected from the iBookstore because it contained links to printed books on

While my book doesn’t contain any offensive links — at least I don’t think it does — what if Apple decides to reject it because it’s too big? In the wrong format? They don’t like my videos?

All I can think of is the hours and hours of work I put into that edition, possibly wasted on the whim of some reviewer at Apple.

Apple Needs to Get Serious

Today I read a blog post on TUAW about the antitrust lawsuit the U.S. Department of Justice is apparently mounting against Apple. In it was this line:

Apple says that it wants to sell as many ebooks as possible, which is totally believable since the company is still a relative bit player in the ebook market.

From where I sit, I don’t see Apple being very serious about this at all. If Apple were serious, it would have a much better process in place to review and approve iBookstore submissions. After all, you can’t “sell as many ebooks as possible” if dozens or hundreds of them are stalled in the approval process day after day for a week or more. It wouldn’t be rejecting ebooks because it doesn’t like the links they include. And it certainly wouldn’t generate frustration and dissatisfaction among content creators — the people actually creating the books they supposedly want to sell.

Call Me an Idiot

I’ll beat a few of you to the punchline by admitting that I look like an idiot.

Back in January, when everyone was voicing outrage over the iBooks Author EULA, I wrote a blog post that told people they were basically worrying about nothing. In response to concerns about the approval process, I said:

I see Apple’s approval process as a GOOD thing. Right now, there’s nothing stopping anyone from publishing any crap they want as an ebook and distributing through services like Amazon Kindle. This is a far cry from publishing as we’ve known it, where only authors and works approved and edited by an experienced, professional publishing company team would be published. Apple’s review process helps weed out the crap and make its library of content more valuable to iBookstore shoppers. While some folks might be fearful that Apple will not approve their work, I’m not — and you shouldn’t be either. People who can turn out quality work should have nothing to worry about as far as the approval process goes.

Now there is some concern over Apple using this power to censor content. For example, perhaps they refuse to publish a book that says negative things about Apple or its founders. (Remember how they pulled all of a certain publisher’s books out of the Apple Store after they published an unflattering biography of Steve Jobs some years back?) I’m not terribly worried about that, but I do admit that it is a possibility. Obviously, if there are documented examples of Apple not approving something that should be approved, I’d be willing to revisit this point. For now, however, I don’t think it’s an issue.

Yes, I’m an idiot.

I didn’t realize that Apple’s approval process had the potential to be slow and unfair.

I naively assumed that Apple was concerned with quality — after all, isn’t that what’s holding up my book: a quality review? And quality didn’t worry me because I know I can create quality work.

But what if it’s some other criteria that Apple’s reviewers are concerned with? Something other than links to File size, file format. Or, worse yet, something I can’t fix? And how will I know? When will I know?

Every day that book isn’t in the iBookstore is a day that I — and my partner, Apple — don’t sell any copies.

What to Do?

What’s the right answer? The right approach?

Well, I can tell you one thing for sure: I’m not going to waste another second of my time assembling yet another title in iBooks Author and submitting it to the void via iTunes Connect.

Instead, I’ll wait — as if I have any other option — and see approach. And I’ll use this experience to guide me for future submissions created with iBooks Author.

Got any iBook Author/iBookstore stories you want to share? Comment on this post.

March 19. 2012 Update: It has now been more than two weeks since I submitted my first iBooks Author-created book for approval to the iBookstore. I am still waiting for approval. This is not a good sign, folks. If you’ve already gone through the approval process, please take a moment to tell us how long it took. And if you’re waiting, please let us know how long you’ve been waiting. I’ll update this when (or if?) my book is approved.

March 28, 2012 Update: I finally heard from Apple about the first book I submitted. It had a number of trademark-related issues that needed to be resolved. I wrote about them here.

May 1, 2012 Update: While I was traveling, my iBooks Author book was finally approved. I believe the final count of days until approval was about 55. I removed the count up timer. My Making Movies book has still not been approved. I feel completely idiotic that I actually believed my books would be reviewed within a week.

May 23, 2012 Update: My Making Movies book was finally approved. I believe the final count of days until approved was 75. The last 3 weeks was spent nagging Apple to explain why it was holding back the book for metadata issues without putting a “ticket” on it.

Feeling Overwhelmed?

Join the club.

Lately, I’ve been feeling a bit overwhelmed. It isn’t the first time and it won’t be the last. But it is bothersome — an uncomfortable feeling that makes me question everything about my life.

I’ve made some serious personal decisions recently that are likely to rock my world over the coming months. This is a stressful situation that’s not made any easier by the lack of support by friends and family members. I’m going it alone — as I so often do — and it’s weighing heavily on my mind.

But the feeling of being overwhelmed is primarily due to my workload. As a freelancer, I work when there’s work to do. When there isn’t work to do, I’m usually waiting for or looking for more work. Sometimes I need to make work. Other times, work appears unexpectedly — even when I don’t want it or have time for it. But I have to do it all — to turn down work is to possibly miss out on future work.

Such is the life of a freelancer.

Right now, I’m working on four content creation (writing, video, etc.) projects:

  • Book CoverFinishing up a special iBooks 2 interactive edition of my iBooks Author book. This requires me to record and edit dozens of screencast videos and completely re-layout the book in iBooks Author. The good news: I might be able to finish up today. That is, if Alex the Bird can keep quiet and the landscapers don’t spend much time blowing leaves outside my window. And the neighbor’s dog doesn’t bark nonstop for an hour. Again.
  • Lynda LogoPrepare scripts for a revision of my Twitter Essential Training course on We’ll be recording this course soon and I want to be fully prepared before I fly out to Lynda to record. And my new producer, wants to see the scripts, too.
  • An aerial photography book. I began writing this last year and have put it aside repeatedly because I need artwork and photos that I can’t produce on my own. I suspect it’ll have to wait until this summer to finish up.
  • A book of helicopter pilot stories. I’m collecting these stories from other pilots and plan to compile them in a book for release later this spring. As I get more and more bogged down with other things, however, the self-imposed deadline keeps slipping. I suspect this will be finished up when I get to Washington, too.

Of course, with Mac OS X Mountain Lion announced, I know what I’ll be doing first when I get to Washington: Revising my Mac OS X Lion book for the new version of the OS. Oh, yeah — and then there’s the videos and Websites I’ve been asked to create for a handful of winemakers up there.

It’s not just writing work and the occasional helicopter flight that’s stacked up before me. It’s all the paperwork that goes with it.

I have two separate businesses, each with their own bank accounts and accounting records. I don’t have an accountant — hell, I am an accountant; my BBA is in accounting. To hire an accountant would be silly, since I could do that work myself and save a bunch of money. So I do. Or I try to. Often, it just stacks up, waiting for me to get to. I haven’t balanced a bank account in several months. And I’m only partially switched from Quicken (since it no longer works in the current version of Mac OS) to iBank (which I really don’t like). It’ll take days to sort out the accounting mess I face when I get around to it.

And then comes tax time. What a freaking nightmare that is.

And then my annual migration back to Washington. That’s a logistics issue. Find someone to fly up to Washington with me to help cover the flight costs. Do the flight. Catch a commercial flight back to Arizona. Pack the RV, get the truck ready. (Did I mention that I might have to buy a new truck this year, too? And take delivery before the end of April?) Make the 1200-mile drive to the Wenatchee area. Retrieve the helicopter from wherever I left it in Washington. Get my contracts set up for summer work.

Of course, that’s if there is summer work. My clients never want to sign up until after the last frost. There’s a chance I might get to Washington with the helicopter and a frost will wipe out the cherry crop. No need for my services then. Ready to fly but no clients. How do you think this possibility affects my stress levels?

On the flip side, there might be too much work for me to take on by myself. Then I have to scramble and find people who are willing to put their life on hold for 3-6 weeks and wait around for the rain in Washington. I’ve already started collecting possible candidate phone numbers. None of them are happy that they’ll have to wait until May to know whether there might be work for them.

Before I leave Arizona, however, I do have to pack up everything I own that’s in our Phoenix condo in case it’s rented or sold while I’m gone. That’s a whole office full of stuff, as well as clothes and other personal effects. Hell, I haven’t had enough time to unpack the boxes that brought some of this stuff here.

And I did mention that I have to travel to for a week to record a course, right?

And there is the possibility of a very big client needing to fly with me in late March or early April, before I go to Washington. Unfortunately, they can’t pin down a date. Once they do, if I’m not available, I’ll lose that job — and it’s not the kind of job I want to lose.

Along the way, I need to start seriously considering where I’m going to live and what I’m going to do when my work in Washington is done this year. I’ve been wanting to relocate for years. I’m sick of Wickenburg’s small-mindedness and the bullshit politics and greed that have ruined the town. Phoenix is no gem, either — except on February days like yesterday when the temperature hovers in the high 70s and there’s not a cloud in the sky. The personal decisions I’ve made recently give me a good opportunity to make the change. Unfortunately, I don’t know where I want to live. I’m leaning toward Oregon — perhaps in the Portland area — but who knows?

So with all this on my plate and on my mind is it any wonder that I’m feeling a bit overwhelmed?

But this is typical in my life — and in the life of most hardworking freelancers and business owners. Things don’t get done by themselves. And if things aren’t done, I start feeling it in the bank account. I don’t know about you, but I like to pay my bills on time and eat.

Guess I’d better get back to work.

Is iBooks Author the Right Tool for Publishing Your Ebook?

Answer: It depends.

iBooks Author IconI’ve been working a lot with iBooks Author lately. Not only did I write and publish a 242-page book about it within 2 weeks of the software’s release, but I’m now deep in the process of converting that book into an iBooks Author file. The result will be a special iBooks 2 interactive edition that includes all the bells and whistles I can cram into it: images, interactive images, galleries, videos, tables, sounds, links — you name it. If I could figure out a way to use the 3D image widget to show something meaningful in the book, I would.

The Limitations of iBooks Author-Generated EBooks

Lots of folks wondered why I didn’t just create the original edition of my iBooks Author book with iBooks Author. Indeed, one reviewer on Apple’s iBookstore had the nerve to [unfairly] bash the book because it wasn’t created in that format. (As if I should write my Excel books with Excel or my Mac OS books with TextEdit. But I digress.)

Some people might think the reason is Apple’s “evil” EULA, which prohibits sale of an iBooks Author-generated ebook in any outlet other than the iBookstore. That’s not the reason at all. After all, if I wanted to sell to iBooks 2 users, where else would I sell it?

The reason I didn’t create the original edition of the book in iBooks Author is flexibility.

You see, if I created and published a book about iBooks Author using iBooks Author as my creation and publishing tool, the resulting ebook could only be read by people who meet the following criteria:

  • Have an Apple iTunes account.
  • Are willing to buy from the Apple iBookstore.
  • Have an iPad.
  • Are running iBooks 2 on their iPad.

What percentage of the population do you really think that is?

It’s All about Reaching the Biggest Audience

While I’ll be the first to admit that my book’s target audience is likely to be made up primarily of people who meet this criteria — after all, who wants to develop for a device when they can’t even test it on that device? — by publishing for just that audience, I automatically exclude all the people who want to read it on a Kindle or NOOK or the Kindle/NOOK apps that work on their desktop and laptop computers or other mobile devices.

I see the sales numbers. For this title, about 1/3 of all sales are being made to Kindle and NOOK readers. Do you really think I’d want to cut my sales by 1/3?

In addition, by using iBooks Author to create and publish, I’d exclude the people who might want to read it the old fashioned way: in print. The print edition is available on,, and at a wide variety of other online booksellers. Because I use a print-on-demand printer that handles all sales and fulfillment for me, I make money on every single copy sold. No, I don’t expect to sell 10,000 copies in print, but heck, even 100 copies is money in the bank. (And yes, I am doing this for money; I earn my living as a writer.)

I reasoned all this out before I began writing. And then I wrote the way I usually do: in InDesign CS5.5, creating a printer-ready document that could also be exported in a matter of minutes to formats for publication in the iBookstore, Kindle store, and NOOK store.

And Speed

Remember, my goal was to get this book done quickly and make sure it was available to readers as soon as possible. That means before my competition did the same.

I’ve learned over more than 20 years of experience as a computer how-to book author that the first book out on a new software product has a competitive edge that sells books. After all, if someone wants a book to teach them how to use software and there’s only one book available, what book do you think they’ll buy?

How do you think my first Mac OS Visual QuickStart Guide sold out at Macworld Expo and reached sales rank of #11 (for a short time) on back in 1997? I had a three month jump on the competition.

And I think that’s what bothered me most about the idiotic reviewer on the iBookstore. His comment said something like “why not take a few extra minutes to do it in iBooks Author?” A few extra minutes? This guy has obviously never actually worked with iBooks Author and is a victim of the Apple’s video magic in showing off software features.

The truth of the matter is that iBooks Author is not a quick way to publish a book. Sure, you can throw some text in there and get it out to the public without a lot of effort. But that’s not what iBooks Author is for.

What iBooks Author is Really For

iBooks Author is a tool for creating interactive, multi-media books. Using it for anything less is just plain silly.

Think about it. If you wanted to share just text and images with other readers, why would you use iBooks Author and limit your book’s audience?

Yes, you can argue that the layout features of iBooks Author make it a great tool for fixed-layout designs that can make design-centric books so amazing to browse. But are most books so focused on design that they must have a fixed layout? And aren’t such fixed layouts possible with other electronic book formats that can be read on all platforms? Like maybe PDF?

iBooks Author includes tools for creating interactive elements that can change the meaning of the phrase reading experience. Reading isn’t the important word anymore. Experience is.

Page 4
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Two pages from my iBooks Author “special edition” ebook in progress. The top page shows an interactive image; the bottom shows an embedded video clip.

iBooks Author’s tools help you communicate your message in ways that are simply not possible with other ebook publishing tools. I’m talking about interactive graphics that zoom and pan when the user touches a label. I’m talking about video and audio that can show how a task is done or provide additional information that no text on a page can convey. I’m talking about photo galleries that save space on the book’s page but can be zoomed out and enjoyed on command in a full-screen view at the reader’s own pace.

And these are just the tools I use in my work. If you’re writing about science or architecture, why not include some 3D views? If you’re an educator, why not include some fully-illustrated review questions? If you’re a corporate communicator, why not include your latest Keynote presentation?

This is what iBooks Author is for: creating multimedia, interactive electronic publications. It isn’t for distributing text and a handful of pictures in a pretty format that only a small percentage of readers can access.

And believe me, it’s not a matter of “taking a few minutes” to whip one of these ebooks up.

You Need Content

Apple’s videos make it look so easy. Sure — all you need to do is drag and drop a 3D image on a widget, set a few options, and publish so the reader can manipulate it with multi-touch gestures. Very cool. But what Apple fails to mention is that someone has to actually create that 3D image in the right format for use in iBooks Author. And that takes more than “a few minutes.”

Right now, I’m faced with the daunting task of creating approximately 75 screencast videos for my book. I spent several hours just setting up and testing my computer and recording software/microphone. Then another hour or two figuring out how I’d edit and save the files. Then it was time to script the videos and record them. And edit them.

Sure, once all that is done, it takes less than a minute to insert each video in an iBooks Author media widget and place it on a page. But it takes a good 30 minutes to create, edit, and save each video.

But the content has to be created before it can be inserted.

(By the way, I’d be recording videos right now if it wasn’t for the fact that my neighbor hired a work crew to remove most of the trees in his yard. Do you think my readers would enjoy listening to chainsaws in the background audio of the videos in my book? No, I don’t think so either. So I’ll be up tonight doing the work I should have been able to do today.)

I Love iBooks Author

Don’t get me wrong. I love iBooks Author. I love the power it gives me to communicate. I love the fact that it makes it easy for me — a words person who couldn’t design her way out of a paper bag — to create beautiful looking publications.

But I haven’t swallowed the Apple Kool-Aid on this one. iBooks Author isn’t the best solution for my publishing needs. After all, I need to earn a living. I need my work to reach the most potential buyers possible. And that means publishing with a tool that enables me to create for the most reader platforms.

But that doesn’t mean I won’t use iBooks Author to create “special editions” of my books — when I have the content to share that makes it worth the effort.