Apple iBookstore: Understanding Payment Requirements

It’s a royalty agreement, folks.

The other day, I received an unusual email on my Flying M Productions email account. Flying M Productions is my little publishing company, the one I use to publish Maria’s Guides and other books. Its website isn’t much to look at; just a lot of promotional material for the items it publishes and sells. There’s no support for any book there; all support for Maria’s Guides can be found on the Maria’s Guides website.

The Question

Here’s the message, in its entirety; I’ve only omitted the sender name:

I am looking for understanding of this financial requirement for ibooks author:
(Apple does not pay partners until they meet payment requirements and earning thresholds in each territory. You should consider this before applying to work directly with Apple as you may receive payments faster by working with an Apple-approved aggregator.)
Apple was not able to explain this and said I had to contact you.
Please explain.

This is obviously a lie — or a big misunderstanding — I seriously doubt whether Apple even knows of the existence of Flying M Productions — especially since I’ve been waiting over a month for it to approve two titles for the iBookstore. The idea that Apple would refer someone to me about one of their policies is truly laughable. The idea that a tiny publisher with just four titles in 20 years would provide support for the most valuable company in the world is a real joke.

And that explains why I didn’t reply.

What’s This About?

But I wanted to know what she was talking about so I did a little search. I wanted to see whether the text she’d included in parentheses was actually present in any Apple agreement. I picked “payment requirements” and “Apple-approved aggregator” as my search phrases.

First I searched the most recent version of the 37-page Ebook Agency/Commissionaire Distribution Agreement that I’m required to sign to create books for sale on the iBookstore. No joy.

Then I searched the license agreement for the current version of iBooks Author. No joy.

Then I went online, and followed a bunch of links on the Apple and iTunesConnect websites. I eventually wound up on the requirements page for the Paid Books Account. And there, in the third bullet under the heading “Financial Requirements,” was the full text she’d put in parentheses in her email message.

Apple’s Stand on This

Before I go on, you need to understand two things:

  • Apple does not want everyone capable of typing a sentence and turning it into an epub or iBooks Author document to publish on the iBookstore. Think I’m kidding? Why else would they require ISBNs for every title sold on the iBookstore? That’s just another hurdle for authors/publishers to jump. Why does Apple take this stand? Because Apple (1) doesn’t want to publish crap and (2) doesn’t want to hold the hands of hundreds or thousands of author/publisher wannabes to walk them through the publication process.
  • “Apple-approved aggregators” exist primarily as a support mechanism for Apple. If an author/publisher is too clueless to publish on the iBookstore, Apple wants a way to graciously hand them off to someone else. Thus, they approve aggregators who apparently don’t mind holding hands with clueless authors/publishers in exchange for a fee.

The Requirements page linked to above is another hurdle for authors/publisher to jump. It lists requirements to further weed out the folks they don’t want to deal with. Hell, you have to have a relatively new Mac to publish on the iBookstore — if that doesn’t weed out a bunch of people, nothing will.

What are the Payment Requirements?

But what the person who contacted Flying M Productions was concerned with was the “payment requirements.” Of all the requirements, this is the least onerous. All this means is that Apple won’t pay royalties until you’ve reached certain minimum sales amounts. Why? Well, Apple doesn’t want to deal with thousands of tiny payments every month. Instead, it holds your royalties on account until you’ve earned enough for them to make it worthwhile to pay.

This, by the way, is common. Google has always done this with Adsense. does it for the Kindle Direct Publishing program.

While this may seem to suggest that you need to reach a threshold for each individual territory to get payment for that territory, that’s not what I’m seeing. In fact, I was just paid today for February’s sales. My royalty earnings on sales in each of six territories ranged from a low of $38.73 to a high of $659.40, and I was paid for the total amount earned.

Paragraph 5(c) of the Ebook Agency/Commissionaire Distribution Agreement states (in part):

After deducting Apple’s commission from eBook Proceeds, Apple shall either remit to Publisher, or issue a credit in Publisher’s favor, subject to Apple’s standard business practices, including minimum monthly remittance amount thresholds determined by Apple (e.g., $150), the remaining balance by electronic funds transfer (“EFT”) no later than forty-five (45) days following the close of the previous monthly sales period.

This tells me that you need to earn a certain amount of royalties before Apple will pay you and they’re required to pay within 45 days of the close of the period. That’s why I didn’t get my February earnings until April 5 — which is still a hell of a lot better than I get from my traditional print publisher contracts.

The $150 is an example. In looking at my past statements, for periods when I only had one title listed in the iBookstore, I was paid $28 one month and $31 another. Clearly Apple is not waiting for me to earn $150 before it pays me.

How Apple-Approved Aggregators Fit In

In re-reading this Requirements page, I’m thinking that Apple is using this scary sounding “requirement” as a way to encourage authors/publishers to use aggregators. But will aggregators pay more quickly? I can’t see how. Unless Apple uses different thresholds for different publishers? Or aggregators are willing to make payments for very small amounts? Or aggregators are willing to pay before the 45-day period has gone by?

Either way, it’s nothing to get all hot and bothered about.

But I do agree with Apple: if you can’t meet their requirements, use an aggregator.

Why I Bought a New iPad

No, I really didn’t need it. (Who does?)

I’ll admit that when I first heard the features of the new iPad, I was unimpressed. Although a lot of people made a big deal over the new retina display, that didn’t really interest me at all. After all, I don’t really use my iPad for graphics, movies, or anything else that really takes advantage of the display. But there were two features that really interested me:

  • MiFi
    Smaller than a pack of cards, this MiFi connects me to the Internet just about anywhere I go.

    4G connectivity with hotspot capabilities. I do a lot of traveling and have a MiFi unit that I take with me on the road. In fact, because I travel so much, I actually turned off Internet access at my house and use the MiFi there as well. I could imagine replacing my life I with the new iPad and transferring my MiFi data plan over to my new iPad and then using that as my hotspot. Not only would save me $20 a month, but it would give me 4G access instead of 3G wherever 4G was available. It would also reduce the equipment I need to take with me on the road — I would no longer need to take the MiFi and its power adapter.

  • The dictation feature. As a writer, one of the things that frustrates me about using my iPad is the keyboard. On a computer keyboard, I’m a very quick and accurate typist. I think it’s safe to say that I can type faster than I can write by hand. But that speed is completely lost on an iPad. I make too many errors that slow me down too much to use an iPad as a serious writing tool. That means that even on trips where packing light is very important, I still need to bring a laptop if I plan to do any writing. The dictation feature, however, changes all that. If it works well, I should be able to use it for some of my writing.

Because the feature set, as a whole, didn’t really impress me, I had no plans to buy a new iPad in the near future. Part of that was because my iPad 2 had been dropped when it was new and had a dent in one corner. Although it worked perfectly fine and the screen was not damaged, I knew that I would have trouble selling it. And without getting a few hundred dollars for it I just couldn’t justify the purchase of a new iPad to replace it.

All that changed the other day. Fellow author, Jeff Carlson, mentioned that Amazon buys back used iPads. I checked out the Amazon Trade-In Store, and learned that even if classified as “acceptable” (i.e., lowest acceptable) condition, I could still get $342 for my dented iPad 2. So I sold it to Amazon, went to the Apple Store, and bought a new iPad with Verizon 4G and 32 GB of storage space.

(And no, I didn’t have to wait on line. Those of you who know me should know how I feel about that.)

Getting my new iPad ready for use was very easy. I merely backed up the old one to iCloud and then restored the new one from iCloud. A few passwords and photos weren’t carried over properly and I lost a few free samples in my Kindle app, but everything was easily replaced. The new iPad was completely ready to use less than an hour after powering it up for the first time.

I had a $20 per month month-to-month data plan on my iPad 2 and, since I’d just paid for the current month period, I figured I’d switch that over to the iPad 3. It automatically utilizes 4G in areas where 4G is available. Before I leave to go to Washington for the summer, I’ll turn that plan off permanently and switch the 5 GB data plan on my MiFi I to my new iPad. Then I’ll be able to use that for all my 3G/4G wireless needs on a go forward basis, wherever I go.

Dragon Dictate
I wrote this book last year. Learn more.

In all honesty, I had forgotten all about the new iPad’s dictation feature. But the other day, after struggling to type a tweet early in the morning, I remembered it and decided to give it a try. This was actually very easy for me — last autumn I’d written a book about Dragon Dictate for Peachpit Press and the dictation features in the new iPad work very much the same way. The key is to speak slowly and clearly, and if you need to include punctuation you need to say the punctuation.

So I began using the dictation feature of my new iPad whenever I remembered to: for tweets, Facebook updates, and even e-mail messages. I discovered that as long as I spoke slowly and clearly, what I was saying would be pretty accurately transcribed by my iPad. Although I occasionally needed to make a few corrections to what was typed, even correcting that text was quicker than trying to type it on the iPad keyboard myself.

What’s good about this is it it has also reminded me to make more use of Dragon Dictate on my Mac. Dragon Dictate is an amazing software program, but there is a learning curve — the best way to tackle that curve is to use the software as often as possible. Once you get the knack of dictating what you want to write, it comes naturally. So when I decided to write this blog post about my new iPad and my desire to use the dictation features, it seemed natural to do this with Dragon Dictate.

While this blog post talks mostly about my new iPad, why I bought one, and how I’m starting to use its dictation features, I’ve also written a how-to post for the Maria’s Guides website where I explain how to use the dictation feature on an iPad. I’ve also included a link to a new video that shows exactly how this works.

Did you just buy a new iPad? If so why? If not, why not? I’m curious about what people are doing, especially people who already owned an iPad. (I’m almost embarrassed to admit that this is my 3rd iPad — I usually keep my electronic devices at least two years before replacing them, but circumstances have encouraged me to replace my iPads more frequently.)

I’m also curious to know how many people who purchased a new iPad are using it for dictation and what their results are. If you have something to say about this, I hope you’ll use the comments link or form to share them with the rest of us.

An Objective Comparison of Ebook Distributors

What I’ve noted so far.

I published, through Flying M Productions, my first ebook in October 2011 and have since published two others. (Learn about all of these titles here.) I went mainstream on all of the ebook distributions, choosing Amazon Kindle (custom mobi), Apple iBookstore (epub), and Barnes & Noble NOOK (epub). With about five months of sales and reseller experience, I thought it was about time to share my observations of these three platforms.

For each criteria, I provided a grade and notes to back it up. Remember, this is based on my experience with just these three books. For the iBookstore, I do not include my experience with iBooks Author-generated books in the table; that’s discussed briefly at the end of this post.

Criteria Kindle Store iBookstore NOOK Store
Ease of Publishing A
It’s very easy to get into the Kindle Direct Publishing program and publish books.
Apple’s iTunes Connect program requires a lot of paperwork and acceptance of agreements that are often updated. Its interface for publishing is surprisingly unintuitive (for Apple). It requires a unique ISBN for every book sold.
Getting into the B&N Pubit program is relatively easy, although there is an approval process that takes some time. Its online book submission process is easy.
Publisher Support D
Publisher support is nearly non-existent. It’s difficult to send questions. Most questions are answered with a “canned” response. Often, I’m told my question needs more research, but an answer never comes.
Publisher support is handled primarily through a menu-driven help system that’s poorly designed. It can take more than a week to get an question answered and it’s usually with a “canned” response.
I have no experience with B&N’s support system.
Ease of Creating Acceptable Documents B
I convert from epub to Kindle using the Kindle Previewer app. This usually goes smoothly the first time around, but it does require that conversion.
Apple is extremely particular about formatting and unusual characters in ebook files. For example, it doesn’t like uppercase filename extensions or spaces in file names. This often requires a lot of digging around in epub format files to fix problems. To be fair, I could probably improve my templates to prevent some of the problems I encounter.
B accepts just about any epub I send, as long as it isn’t any larger than 20 MB (which I think is too restrictive.)
Appearance of Ebook C
The Kindle format inconsistently formats bulleted lists and font sizes and completely ignores some formatting. As a result, my books are not usually formatted as I’d like to see them.
My iBookstore books usually look very good. Apple is true to all epub formatting.
My NOOK books usually look very good, although I sometimes notice instances where formatting is ignored.
Speed of Review Process A
Amazon consistently makes my books available for sale within 24 hours of posting.
There is no consistency in the speed of Apple’s review process. I had one book appear within an hour of posting while I waited a week or more for others.
B&N consistently makes my books available for sale within 48 hours of posting.
Sales A
In most instances, Amazon sells the most books.
Apple sells reasonably well — unless a book has an unusual amount of appeal to Mac users, in which case, it sells best.
B&N’s sales are sluggish and rather disappointing.
Royalties D
Amazon offers the worst publishing deal. To get 70% royalties, you must price the book between $2.99 and $9.99. The 70% commission rate is only available for books sold to certain countries. All sales to other countries earn just 35%.You must also pay “delivery fee” based on the size of your book file for all books sold at the 70% commission rate. Amazon enforces price matching, so if your book is available for a lower price elsewhere, Amazon will arbitrarily lower the price of your book in the Kindle Store. And don’t even think of getting into the KDP Select Program; that’s something else I need to blog about soon.
Apple offers the best publishing deal: 70% flat rate on all books. No hidden costs, no exceptions to the 70% rate.
B&N also offers a good publishing deal: 70% flat rate on all books.
Sales & Royalty Reporting C
Amazon’s reporting system is inconsistent and confusing, although it does have up-to-the-minute sales figures. Amazon’s staff does not reply promptly (or at all) to sales/royalty report questions. Reports seem to indicate book sales at unauthorized prices, making me wonder whether Amazon is ripping me off.
Apple’s reporting system is updated daily. Reports can be viewed its iTunes Connect website as well as in an extremely well designed iOS app.
B&N’s reporting system is minimal but accurate.
Final Grade B
The only reason Amazon gets such a good grade is because it sells a lot of books. Its royalty structure sucks, but I can still earn more there for most titles than anywhere else.
Apple’s fair royalty rate and reporting help it score well, but its disappointing sales figures and inconsistent review process keep it from getting a better grade.
B&N is a nice platform, but low sales keep it from getting a better grade. In all honesty, if it weren’t for the fact that publishing there was so easy, I probably would’t bother.

Of course, it remains to be seen how well my iBooks 2 interactive (enhanced) books do on the iBookstore, since Apple is taking so damn long to approve them.

Do you have any experience with any of these publishing platforms? If so, what have you observed? Share your thoughts in the Comments for this post.

The iBooks Author Gamble

Taking a chance and not liking what I see so far.

iBooks IconIn late February and early March, I spent about 2 weeks porting my existing 242-page iBooks Author book to iBooks Author software for publication as an iBooks 2-compatible interactive (or “enhanced”) ebook.

Moving over the text wasn’t a huge deal — mostly copy and paste, followed by the application of styles I’d created or modified for my custom iBooks Author template. But rather than simply copy and paste the 100+ screenshots that are part of the print, epub, and Kindle format books, I decided to rely on videos to tell the story. So I spent most of that time recording a total of 3 hours of original video content based on the numbered step-by-step instructions in the book. I also used the Gallery widget and created an illustrated Glossary.

The final book turned out to be 150 pages and 1.3 GB in size. And it looked awesome (if I do say so myself) — the perfect example of how a iBooks Author could be used to create how-to content.

The Waiting Begins

Final Count
It took 55 days for this book to be approved by Apple.

I submitted the files to Apple via iTunes Connect on Sunday and began waiting for approval.

Monday, Tuesday, Wednesday, Thursday — I spent the week waiting. It’s now Friday and I’m still waiting.

In iTunes Connect, the book’s status remains:

Book In Review. This book is currently being reviewed for quality assurance.

A New Week brings New Developments

Final Count
It took 75 days for this book to be approved by Apple.

I’d already committed to converting my Making Movies book to iBooks Author format. Because the video for that book already existed — I used video clips taken from the example movie — the creation process was much quicker. I figure I put a total of 10 hours into the conversion process. I submitted it today.

And that’s when I discovered two things:

  • Apple no longer allows submissions of books created with iBooks Author 1.0 (or 1.0.1). It requires the latest version, released the other day, iBooks Author 1.1, which includes support for the new iPad. My iBooks Author book was created with the previous version. Is that what’s holding up approval?
  • A warning appeared on screen when I attempted to upload my 233 MB book, telling me that Apple recommends that books be no larger than 200 MB because some users might have trouble downloading a larger book file. My iBooks Author book was considerably larger than this. Is that what’s holding up approval?

Of course, there’s no way of knowing. Apple’s iTunes Connect/iBookstore support is absolutely dismal. If you ask a question, you’re lucky to get a response in less than a week — if you get any response at all. And that response is likely to be “canned” — in other words, boilerplate text possibly chosen at random by the support person who handled your request.

Rejection Could Be Painful

And nagging away at the back of my mind is a blog post by Seth Godin where he reported that his book had been rejected from the iBookstore because it contained links to printed books on

While my book doesn’t contain any offensive links — at least I don’t think it does — what if Apple decides to reject it because it’s too big? In the wrong format? They don’t like my videos?

All I can think of is the hours and hours of work I put into that edition, possibly wasted on the whim of some reviewer at Apple.

Apple Needs to Get Serious

Today I read a blog post on TUAW about the antitrust lawsuit the U.S. Department of Justice is apparently mounting against Apple. In it was this line:

Apple says that it wants to sell as many ebooks as possible, which is totally believable since the company is still a relative bit player in the ebook market.

From where I sit, I don’t see Apple being very serious about this at all. If Apple were serious, it would have a much better process in place to review and approve iBookstore submissions. After all, you can’t “sell as many ebooks as possible” if dozens or hundreds of them are stalled in the approval process day after day for a week or more. It wouldn’t be rejecting ebooks because it doesn’t like the links they include. And it certainly wouldn’t generate frustration and dissatisfaction among content creators — the people actually creating the books they supposedly want to sell.

Call Me an Idiot

I’ll beat a few of you to the punchline by admitting that I look like an idiot.

Back in January, when everyone was voicing outrage over the iBooks Author EULA, I wrote a blog post that told people they were basically worrying about nothing. In response to concerns about the approval process, I said:

I see Apple’s approval process as a GOOD thing. Right now, there’s nothing stopping anyone from publishing any crap they want as an ebook and distributing through services like Amazon Kindle. This is a far cry from publishing as we’ve known it, where only authors and works approved and edited by an experienced, professional publishing company team would be published. Apple’s review process helps weed out the crap and make its library of content more valuable to iBookstore shoppers. While some folks might be fearful that Apple will not approve their work, I’m not — and you shouldn’t be either. People who can turn out quality work should have nothing to worry about as far as the approval process goes.

Now there is some concern over Apple using this power to censor content. For example, perhaps they refuse to publish a book that says negative things about Apple or its founders. (Remember how they pulled all of a certain publisher’s books out of the Apple Store after they published an unflattering biography of Steve Jobs some years back?) I’m not terribly worried about that, but I do admit that it is a possibility. Obviously, if there are documented examples of Apple not approving something that should be approved, I’d be willing to revisit this point. For now, however, I don’t think it’s an issue.

Yes, I’m an idiot.

I didn’t realize that Apple’s approval process had the potential to be slow and unfair.

I naively assumed that Apple was concerned with quality — after all, isn’t that what’s holding up my book: a quality review? And quality didn’t worry me because I know I can create quality work.

But what if it’s some other criteria that Apple’s reviewers are concerned with? Something other than links to File size, file format. Or, worse yet, something I can’t fix? And how will I know? When will I know?

Every day that book isn’t in the iBookstore is a day that I — and my partner, Apple — don’t sell any copies.

What to Do?

What’s the right answer? The right approach?

Well, I can tell you one thing for sure: I’m not going to waste another second of my time assembling yet another title in iBooks Author and submitting it to the void via iTunes Connect.

Instead, I’ll wait — as if I have any other option — and see approach. And I’ll use this experience to guide me for future submissions created with iBooks Author.

Got any iBook Author/iBookstore stories you want to share? Comment on this post.

March 19. 2012 Update: It has now been more than two weeks since I submitted my first iBooks Author-created book for approval to the iBookstore. I am still waiting for approval. This is not a good sign, folks. If you’ve already gone through the approval process, please take a moment to tell us how long it took. And if you’re waiting, please let us know how long you’ve been waiting. I’ll update this when (or if?) my book is approved.

March 28, 2012 Update: I finally heard from Apple about the first book I submitted. It had a number of trademark-related issues that needed to be resolved. I wrote about them here.

May 1, 2012 Update: While I was traveling, my iBooks Author book was finally approved. I believe the final count of days until approval was about 55. I removed the count up timer. My Making Movies book has still not been approved. I feel completely idiotic that I actually believed my books would be reviewed within a week.

May 23, 2012 Update: My Making Movies book was finally approved. I believe the final count of days until approved was 75. The last 3 weeks was spent nagging Apple to explain why it was holding back the book for metadata issues without putting a “ticket” on it.

Is iBooks Author the Right Tool for Publishing Your Ebook?

Answer: It depends.

iBooks Author IconI’ve been working a lot with iBooks Author lately. Not only did I write and publish a 242-page book about it within 2 weeks of the software’s release, but I’m now deep in the process of converting that book into an iBooks Author file. The result will be a special iBooks 2 interactive edition that includes all the bells and whistles I can cram into it: images, interactive images, galleries, videos, tables, sounds, links — you name it. If I could figure out a way to use the 3D image widget to show something meaningful in the book, I would.

The Limitations of iBooks Author-Generated EBooks

Lots of folks wondered why I didn’t just create the original edition of my iBooks Author book with iBooks Author. Indeed, one reviewer on Apple’s iBookstore had the nerve to [unfairly] bash the book because it wasn’t created in that format. (As if I should write my Excel books with Excel or my Mac OS books with TextEdit. But I digress.)

Some people might think the reason is Apple’s “evil” EULA, which prohibits sale of an iBooks Author-generated ebook in any outlet other than the iBookstore. That’s not the reason at all. After all, if I wanted to sell to iBooks 2 users, where else would I sell it?

The reason I didn’t create the original edition of the book in iBooks Author is flexibility.

You see, if I created and published a book about iBooks Author using iBooks Author as my creation and publishing tool, the resulting ebook could only be read by people who meet the following criteria:

  • Have an Apple iTunes account.
  • Are willing to buy from the Apple iBookstore.
  • Have an iPad.
  • Are running iBooks 2 on their iPad.

What percentage of the population do you really think that is?

It’s All about Reaching the Biggest Audience

While I’ll be the first to admit that my book’s target audience is likely to be made up primarily of people who meet this criteria — after all, who wants to develop for a device when they can’t even test it on that device? — by publishing for just that audience, I automatically exclude all the people who want to read it on a Kindle or NOOK or the Kindle/NOOK apps that work on their desktop and laptop computers or other mobile devices.

I see the sales numbers. For this title, about 1/3 of all sales are being made to Kindle and NOOK readers. Do you really think I’d want to cut my sales by 1/3?

In addition, by using iBooks Author to create and publish, I’d exclude the people who might want to read it the old fashioned way: in print. The print edition is available on,, and at a wide variety of other online booksellers. Because I use a print-on-demand printer that handles all sales and fulfillment for me, I make money on every single copy sold. No, I don’t expect to sell 10,000 copies in print, but heck, even 100 copies is money in the bank. (And yes, I am doing this for money; I earn my living as a writer.)

I reasoned all this out before I began writing. And then I wrote the way I usually do: in InDesign CS5.5, creating a printer-ready document that could also be exported in a matter of minutes to formats for publication in the iBookstore, Kindle store, and NOOK store.

And Speed

Remember, my goal was to get this book done quickly and make sure it was available to readers as soon as possible. That means before my competition did the same.

I’ve learned over more than 20 years of experience as a computer how-to book author that the first book out on a new software product has a competitive edge that sells books. After all, if someone wants a book to teach them how to use software and there’s only one book available, what book do you think they’ll buy?

How do you think my first Mac OS Visual QuickStart Guide sold out at Macworld Expo and reached sales rank of #11 (for a short time) on back in 1997? I had a three month jump on the competition.

And I think that’s what bothered me most about the idiotic reviewer on the iBookstore. His comment said something like “why not take a few extra minutes to do it in iBooks Author?” A few extra minutes? This guy has obviously never actually worked with iBooks Author and is a victim of the Apple’s video magic in showing off software features.

The truth of the matter is that iBooks Author is not a quick way to publish a book. Sure, you can throw some text in there and get it out to the public without a lot of effort. But that’s not what iBooks Author is for.

What iBooks Author is Really For

iBooks Author is a tool for creating interactive, multi-media books. Using it for anything less is just plain silly.

Think about it. If you wanted to share just text and images with other readers, why would you use iBooks Author and limit your book’s audience?

Yes, you can argue that the layout features of iBooks Author make it a great tool for fixed-layout designs that can make design-centric books so amazing to browse. But are most books so focused on design that they must have a fixed layout? And aren’t such fixed layouts possible with other electronic book formats that can be read on all platforms? Like maybe PDF?

iBooks Author includes tools for creating interactive elements that can change the meaning of the phrase reading experience. Reading isn’t the important word anymore. Experience is.

Page 4
Page 14
Two pages from my iBooks Author “special edition” ebook in progress. The top page shows an interactive image; the bottom shows an embedded video clip.

iBooks Author’s tools help you communicate your message in ways that are simply not possible with other ebook publishing tools. I’m talking about interactive graphics that zoom and pan when the user touches a label. I’m talking about video and audio that can show how a task is done or provide additional information that no text on a page can convey. I’m talking about photo galleries that save space on the book’s page but can be zoomed out and enjoyed on command in a full-screen view at the reader’s own pace.

And these are just the tools I use in my work. If you’re writing about science or architecture, why not include some 3D views? If you’re an educator, why not include some fully-illustrated review questions? If you’re a corporate communicator, why not include your latest Keynote presentation?

This is what iBooks Author is for: creating multimedia, interactive electronic publications. It isn’t for distributing text and a handful of pictures in a pretty format that only a small percentage of readers can access.

And believe me, it’s not a matter of “taking a few minutes” to whip one of these ebooks up.

You Need Content

Apple’s videos make it look so easy. Sure — all you need to do is drag and drop a 3D image on a widget, set a few options, and publish so the reader can manipulate it with multi-touch gestures. Very cool. But what Apple fails to mention is that someone has to actually create that 3D image in the right format for use in iBooks Author. And that takes more than “a few minutes.”

Right now, I’m faced with the daunting task of creating approximately 75 screencast videos for my book. I spent several hours just setting up and testing my computer and recording software/microphone. Then another hour or two figuring out how I’d edit and save the files. Then it was time to script the videos and record them. And edit them.

Sure, once all that is done, it takes less than a minute to insert each video in an iBooks Author media widget and place it on a page. But it takes a good 30 minutes to create, edit, and save each video.

But the content has to be created before it can be inserted.

(By the way, I’d be recording videos right now if it wasn’t for the fact that my neighbor hired a work crew to remove most of the trees in his yard. Do you think my readers would enjoy listening to chainsaws in the background audio of the videos in my book? No, I don’t think so either. So I’ll be up tonight doing the work I should have been able to do today.)

I Love iBooks Author

Don’t get me wrong. I love iBooks Author. I love the power it gives me to communicate. I love the fact that it makes it easy for me — a words person who couldn’t design her way out of a paper bag — to create beautiful looking publications.

But I haven’t swallowed the Apple Kool-Aid on this one. iBooks Author isn’t the best solution for my publishing needs. After all, I need to earn a living. I need my work to reach the most potential buyers possible. And that means publishing with a tool that enables me to create for the most reader platforms.

But that doesn’t mean I won’t use iBooks Author to create “special editions” of my books — when I have the content to share that makes it worth the effort.