Bottling Wine, Day 2: Bottling

A look inside a mobile wine bottling facility.

I’m one of those people who likes to see and do as many things as I possibly can. Life, to me, is a quest to learn and experience as much as possible. Each day I get to do or see or learn something interesting is another day worth living.

Yesterday was one of those days. I got an opportunity to photograph, video, and help out in a mobile wine bottling facility.

The Truck

Big wineries — like the ones everyone has heard of — have their own wine bottling facilities. These are likely big rooms filled with very expensive, highly specialized equipment. Big wineries can afford to buy and maintain these machines. After all, they’re producing thousands of cases of wine every year and may run the bottling line dozens of times a year.

Smaller wineries can’t afford such luxuries. Not only is the cost of the equipment usually beyond their means, but they also lack the space to house it and the funds to maintain it. Besides, they’re producing much smaller quantities of wine and only need to bottle once or twice a year. It just doesn’t make sense to make such a huge investment when there is another alternative.

That other alternative is a mobile bottling truck. This is a big rig truck with a trailer on the back. The trailer is completely outfitted with all the equipment needed to fill, cork, cap, and label bottles of wine.

The truck is driven and operated by a single technician who travels from one small winery to another. He knows exactly how to operate the equipment — which is both mechanical and computerized — and how to fix it if something goes wrong. He sets it up for the bottles, wine, corks, foil caps, and labels the winemaker provides. He then gets the line running while a handful of laborers the winemaker provides do the few manual tasks required to complete the process.

To say it was amazing is an understatement. Watching this thing in action was awesome.

The Bottling Process

Pumping Wine
Wine is pumped from a vat into the trailer.

Arranging Bottles
This machine sterilizes the bottles and places them on the line in single file.

Filling Bottles
The bottles are filled with wine as they move.

Corking machine
Bottles move into the corking equipment where they are corked.

Adding Foil Caps
Two workers add foil caps to each bottle.

Sealing Foil
This machine presses the foil caps onto the bottle tops.

Applying Labels
The bottles move past the labeler, which applies front and back labels with one pass.

Production Line
This look from the front of the trailer’s inside shows the bottles on the right heading back toward the door.

Boxing Wine
Two people load the bottles into cases. They’re loaded neck down to keep the cork wet during storage.

Case of Wine
Cases of wine slide down a track from the back of the trailer.

It all starts outside the trailer, where wine is pumped from its storage vat into the trailer itself though sterile hoses. From there, it goes into the filling equipment where it waits for the bottles.

Meanwhile, at the back end of the trailer, a forklift brings palettes of empty bottles to the open door. The bottom of each case of 12 bottles is unsealed. A man standing just inside the door takes a case, being careful to hold the bottom of the box closed, places it on a wide conveyor belt, and lifts the box, depositing the bottles, neck end up. He’ll do this four to six times a minute as long as the line is running.

The bottles then move, jiggling and clinking, into a rotating mechanism that sterilizes the bottles and places them on another belt where they enter the equipment in single file.

From there, the bottles are placed on tiny elevators that lift each bottle to a filling machine that moves the bottles along the line. The machine senses when the bottles are filled and stops adding wine.

The bottles then go into a corking machine that puts a cork into each bottle. Then the bottles move past two workers who place foil caps on top of each bottle. At the line’s speed, it would be nearly impossible for just one person to handle this task.

From there, the bottles move into a machine that pressed the foil caps down onto the top of the bottle, providing a secondary seal over the cork. Both the corks and the foil seals are customized with the winery’s logo.

Next, the bottles move past the labeler. The labels come on rolls that alternate front and back labels. The machine uses a vacuum to pull the labels off their backing, exposing the sticky side. As the bottles move past the vacuum pad, the sticky side of the label is pressed onto each bottle. The spacing of the labels is finely tuned for each bottle size.

At this point, the bottles of wine are complete. But they’re at the front of the trailer and need to be in the back. So they make the long trip all the way down the side of the trailer, in single file, to where two people wait. Stationed right beside the man who puts the empty bottles on the line, they have the empty boxes he discards in piles at their feet. The first person places a box on a workspace and fills it with six bottles as they file past. She then moves the box to her companion who places another six bottles in, closes the box, and pushes it through a machine that tapes it shut. Both workers are performing their tasks nonstop to keep up with the flow of incoming bottles.

After being taped shut, the box rolls down a ramp where other workers apply a label to the box and stamp the date on it. The boxes are then stacked on palettes. When all cases of a variety are bottled and stacked, the palette is wrapped with shrink wrap. It’s then transported into a temperature controlled storage area by forklift and an empty palette is prepared for the next variety.

The Results

At full speed, the equipment can process about 60 bottles per minute. The bottling tech told me we were running a little slower, maybe about 55 bottles per minute. That’s still pretty damn fast.

We bottled seven varieties of red wine yesterday, including one rosé. We used three different bottles, each of which required the machinery to be recalibrated for proper movement, corking, and label positioning. We started at about 8 AM and were finished by 2 PM. We took about an hour for a lunch break.

We bottled a total of 818 cases of wine.

Afterward, the six volunteers (including me) got to sample some of the wine that wound up in partially filled cases. Despite its bottle shock, it was pretty darn good. I think the Petit Verdot was the best of the bunch and really look forward to its release. And yes, I grabbed a bottle of that and a bottle of Zinfandel as my reward for a day’s work in the truck. I’ll wait until Pete officially releases them before I open them.

The Photos

I took a lot of photos during this process — the ones you see here are only a sampling that illustrate the main part of the process. I put most of them on the Beaumont Cellars Facebook pagea gallery on the Beaumont Cellars website. In both cases, the photos include shots taken on Sunday during the filtering, which I cover in a separate blog post.

Bottling Wine, Day 1: Filtering

Before wine can be bottled, it must be filtered. Here’s how it works at one winery.

I’ve been neglecting my blog for a week or so mostly because of preparations for my annual migration to Washington State. First it was the packing. Then it was the driving. Then it was the unpacking. I’m here now, parked in my usual spot at the Colockum Ridge Golf Course’s tiny RV park in Quincy, WA. I arrived a full month earlier than usual just so I could witness and help out at Beaumont Cellars Winery’s red wine bottling on April 17.

The Back Story

Beaumont Orchards is one of my cherry drying clients. I’ve been responsible for drying their cherry crop after a rain since 2009. But Pete, the owner of cherry, apple, and pear orchards in Quincy, began dabbling in winemaking a few years back. He (and others) were very pleased to discover that he was pretty good at it. Last year, in fact, his wines began winning awards.

Each year, Pete has expanded his winery operations just a little bit more, producing more hand-crafted wines and setting up a really nice tasting room. Beaumont Cellars, which is based at his home, has become one of the premier wine-tasting destinations in the newly established Ancient Lakes AVA.

This year, he mentioned that he’d be bottling wines on April 17. I decided that it was something I really wanted to see, something I’d like to do some video about. So I arranged my schedule to arrive earlier than usual in Washington.

Filtering Day

Pumping Out Barrel
The wine is pumped out of the barrel.

Wine Filter
The wine filter consists of multiple vertically mounted filter pads that are discarded after use.

Connecting Hose
Pete and Megan connect a hose to the bottom of a wine vat. Filtered wine enters at the bottom to minimize splashing.

Good to the last drop
Megan catches the last bit of wine as Pete tilts the barrel opening into a pitcher.

Pouring wine into next barrel
Megan pours the last bit of wine from one barrel into the next one being filtered.

Pouring wine into the Vat
Pete pours some filtered wine into the vat.

I arrived in Quincy at around 2:30 on Sunday afternoon. I had just finished hooking up the mobile mansion’s water, electric, and sewer connections when Pete called, asking where I was. He was in the middle of filtering the wines in preparation for bottling on Tuesday.

Tired from my three-day, 1200-mile drive pulling a 34-foot fifth wheel through the valleys, plains, and mountains of Arizona, Nevada, Idaho, Oregon, and Washington, I nevertheless grabbed my camera and hurried over. Pete and Megan, his winemaking apprentice (for lack of a better term) were more than halfway finished. I got to watch and photograph the activity.

The wine began in barrels. Pete and Megan used hoses and a pump to pump the wine out of each barrel, through a filter, and into a large plastic vat. The barrels for each variety were combined into a single vat.

When the pump is no longer able to suck wine from the bottom of a barrel, the barrel is tipped into a pitcher to catch the last little bit. It’s then poured into the next barrel of the same variety as it’s pumped through the filter. Likewise, any filter overflow is captured in a pitcher and manually poured into the vat. This minimizes the loss of wine.

When the job was done, there was a huge vat of wine for each of the varieties to be bottled on Tuesday. Pete and Megan cleaned up by pumping purified water through the pump and hoses, disassembling the filter, and cleaning everything down with a power washer capable of heating water to 180°F. Pete used a forklift to move the wine vats into a temperature-controlled storage area and stack the empty barrels out of the way.

Throughout the process, we’d been sampling the wine — and it was good!

The Photos

I took a lot of photos during this process — the ones you see here are only a sampling that illustrate the main part of the process. I put most of them on the Beaumont Cellars Facebook pagea gallery on the Beaumont Cellars website. In both cases, the photos include shots taken on Tuesday during the bottling, which I cover in a separate blog post.

Snow-Covered Mountains

Late winter storm leaves Weaver Mountains blanketed with snow.

Just thought I’d share a quick photo taken from the upstairs window at my house in Wickenburg. After two days of rain and snow throughout Arizona, the Weaver Mountains about ten miles north of here are completely blanketed with snow. I hope things aren’t too mushy for the folks in Yarnell!

Snow-Covered Mountains

Hovering with the Balloons

Just a quick post after an unusual photo flight.

Hovering with BalloonsI did a “first light” photo flight this morning. The client: me.

I needed a bunch of photographs that could clearly illustrate how a change altitude affects the perspective of an aerial photo scene. So I armed my helicopter with a battery of GoPro cameras, set them up to snap an image every 2 seconds, and went flying at dawn.

For about 90 minutes.

On the way back, I spotted a number of hot air balloons in the sky northeast of Deer Valley Airport. This isn’t anything unusual; the balloons are up every morning for the first hour or two of the day. But what was unusual is my attempt to capture images of the balloons.

Instead of satisfying myself with the usual fly by images, this time, I climbed to about 1,000 feet AGL, pointed the helicopter southwest toward the balloons, and brought it into a hover. And held it there for about a minute.

While I was hovering there, facing the balloons, I got a weird feeling, as if I were a bird trying to join a flock. I could imitate their motion (or apparent lack thereof), but I wasn’t one of them.

Anyway, this is one of the shots I captured, cropped for better presentation. As you can see, there was one balloon at a higher altitude but most of the others were lower. Can you see them all in this shot? I count seven.

I couldn’t do anything about the distance. The GoPro cameras have a wide angle lens, making everything seem farther away than it really is. If I got any closer, the folks in the closest balloon — which was also the one higher than me — may have freaked out. (If you think airplane pilots hate helicopters, you should talk to a balloon pilot one day.)

This isn’t, by far, the best photo shot this morning. But it’s the one I thought of from the moment I lowered the helicopter’s collective to descend back toward Deer Valley until the moment I first viewed it on my computer.

I really do need to spend some time in a balloon soon.

The Fruits of My Labor…

…or why I love my work as an aerial photography pilot.

Regular readers know that one of my jobs is as a helicopter pilot. Sure, my little company offers tours and day trips from Phoenix in the winter and dries cherries in Washington State in the summer, but my favorite kind of flying is for aerial photography.

To me, there’s nothing more rewarding than being a pilot for a talented still or video aerial photographer. These are the people who not only understand basic photographic concepts such as light and composition and exposure, but who also know what a helicopter can do and how they can use it as a tool to get amazing images of the world around us.

In August 2010, I had the privilege of working again with Mike Reyfman, a regular client, over Lake Powell in northern Arizona/southern Utah. He was there for the AirPano Project, capturing images that would become interactive 360° aerial panoramas, as well as still photos around the lake.

He emailed me yesterday to let me know that the Lake Powell Panoramas had finally been put online. There are four of them, including one shot over Reflection Canyon (see screen grab below). Each image is interactive, drag in the image to pan and zoom. You can click on the helicopter icons to switch from one viewpoint to the next. Here’s where you can find them.

Reflection Canyon

Aerial photo work is challenging, especially with a demanding photographer on board who knows exactly what he wants. Mike is one of those photographers. Not only does he know what time of day he wants to shoot, but he provides instructions regarding shooting location, direction, and altitude. For the panoramic shots, I need to get into an out of ground effect hover, sometimes as high as 3,000 feet above the ground, and hold it there for 5 minutes or more. This isn’t easy in my little R44, especially in windy conditions.

But it’s worth it, as Mike’s panoramic images and other shots prove.

I find it especially rewarding work, though. Although I didn’t create the incredible images the photographers on board make, I feel that I was instrumental in making those images possible. After all, my helicopter and I were part of the photographer’s equipment — almost like a tripod. Surely to say that the image would not exist without us isn’t too far from the truth.

And so despite the challenges and the relative dangers, I love flying aerial photographers. And I love seeing the work they create when they fly with me.