Monthly Archives: January 2011

Interesting Links, January 31, 2011

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Here are links I found interesting on January 31, 2011:

The State of Macworld Expo

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The end of an era? Looks that way to me.

When Apple announced, two years ago, that it would no longer attend Macworld Expo, lots of people said the announcement was Macworld Expo’s death knell. Like some other people, I thought that opinion was a both harsh and premature.

I don’t think that anymore.

On Friday, I did a presentation as a member of the Macworld Expo Conference faculty for the first time in at least eight years. I used to speak at Macworld Expo all the time, having at least one session in San Francisco and Boston (and later, New York) and even Toronto from about 1993 through 2002 or so. Back in the early 2000s, IDG took over the show and the conference management changed. They also went off in a new direction that stressed the creative aspects of working with the Mac. I was always more of a productivity person, so I didn’t fit in.

I still went to the show once in a while, but not very often. I came a few years ago, mostly to meet with one of my publishers. But that was it.

Looking back at it, I realize that I was deep in the Mac world at Apple’s first peak in popularity. The shows — especially in San Francisco — were huge. The very biggest shows took up both exhibit halls of Moscone Conference Center. All the big vendors were there — Apple, Microsoft, Adobe, Macromedia, Claris (later FileMaker), Quark — the list goes on and on. The show floor was buzzing all day long. The noise was deafening and there was a pure adrenaline rush on first entering the exhibit hall. And the products introduced! Even my husband talks about innovations like the Video Toaster (which, ironically, I believe ran on an Amiga). I remember all of Apple’s big hardware and software releases and the software demos that were both educational and entertaining. And how could I forget the Boston show where Mac OS 8 went on sale and my first Mac OS Visual QuickStart Guide sold out?

Afterwards, the parties would start. They were amazing affairs — the Exploratorium is a good example; the party sponsors rented the entire facility, leaving us to wander around and play with the exhibits. There was headliner entertainment, too: one year was Chris Isaac at one party and Jefferson Airplane at another. There were cruises and bungee jumps at Boston Harbor. There were full food, open bar parties at the top of the Fairmont in San Francisco. As one of the B+ list speakers/authors (in those days, anyway), I’d party hop with my peers. I remember one year bouncing from one party to the next with Bob Levitus, who always managed to get into all the parties, whether he had tickets or not.

Things change. Apple took a serious downturn. Things looked bad. Then Steve Jobs came back. The original iMac breathed new life into the company. More products followed. I remember seeing hundreds of buses all over San Francisco skinned with images of five colors of iMacs. But despite Apple’s subsequent successes, Macworld Expo was never quite the same. The show began to shrink.

What I saw on the show floor this year was a shock. The show was tiny — by old standards — occupying about half of one floor at the relatively new Moscone West building. At least 80% of the items on display could be classified as accessories — mostly protective or decorative covers — for the iPad and iPhone. There were very few Macintosh items.

Macworld Expo had become iAccessoryworld Expo.

Although most of the folks I spoke to about their thoughts on this matter seemed to agree with me — some more strongly than others — the members of the Macintosh press that I met there were surprisingly upbeat about it. One of them even commented that Microsoft’s support for the show is a good sign. Support for the show? They didn’t even have a booth! Having a party for a chosen few and being one of the sponsors on another party isn’t the kind of support I’d be upbeat about.

If I had travelled to San Francisco for the sole purpose of seeing the show floor — as I know many people did in the past — I would have been sorely disappointed. Disappointed enough to demand my money back. What I wouldn’t be able to get back was the travel time and expense and the three hours of my life spent trying to understand how so many accessory developers could think there was a market for yet another version of an iPad case. Or skin. Or screen protector.

The real value in Macworld Expo was the conference sessions — now more than ever. The conference management assembled a collection of experts — some old timers like me, some younger and newer to Mac OS (and iOS, of course) — and offered a variety of interesting tracks and sessions for Mac, iPhone, and iPad users.

My session about building your iPad for business was relatively well attended — the room was about half full. I received a handful of follow-up questions and a polite round of applause at the conclusion of my talk. Several of the attendees came up to the front of the room to thank me or offer complements. It was like the old days, but on a much smaller scale.

After all, Friday’s room could have held only about 100 people when, in the past, I did sessions that packed a room that seated more than 300.

And the meeting room area at Macworld Expo used to be busier than a high school hallway between classes each time a session let out. Now only a few dozen people meandered about, shuffling from room to room.

At least these people got something worthwhile for their money.

I know these are harsh words and, as a member of the Mac community with a long Macworld Expo history, it’s hard for me to type them. The conference faculty was treated quite well, with generously filled swag bags, a comfortable place to rest between sessions, and both breakfast and lunch every day. The session rooms were relatively well equipped. It’s hard to share negative opinions about Macworld Expo when IDG staff responsible for the conference part of the show treated me well. But if this blog post precludes me from ever speaking again at a Macworld Expo, so be it. I don’t sugar coat anything and I’m certainly not going to sugar coat this.

While I realize that the old days are long gone, I think that if IDG can’t do better than what I experienced this past week in San Francisco, they should throw in the towel on Macworld Expo and concentrate on better ways to share valuable information with Mac OS and iOS users.

A New Camera

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Will it take my photography to the next level or have I gone as far as I can go?

Desert Still LifeLast spring, I shot one of what I consider one of my best photographs. I’d been “photojeeping” out in the desert when the hedgehog cacti were blooming. I stopped the Jeep on the two-track I’d been following, grabbed my tripod, camera, and cable release, and set off on foot across a relatively flat area peppered with pink blossoms. When I saw this cactus, my eye began a search for an interesting composition. I had to get down on the ground, with my tripod’s legs as short as they could go, to frame this shot. Although I let the camera handle the exposure (as I usually do), I fine-tuned the focus and depth of field using aperture settings. Said simply: I put a lot of effort into this shot — a lot more than I usually do.

And I was very pleased with the results.

Until I looked more closely at the photo in Photoshop, using 100% magnification. That’s when I could clearly see that the image lacked the kind of sharpness I wanted in my photos. It was as if nothing in the photo was in clear focus. Given the depth of field, that just didn’t seem possible.

I had done just about everything in my power to get the best shot I could and I’d fallen short of desired results. It was like being slapped in the face.

Nikkor 16-85mm LensI started doing research. I knew it wasn’t the lenses I was using — this particular image was shot with my Nikon 16-85mm f/3.5-5.6G AF-S DX ED VR Nikkor lens, which was still relatively new at the time. Although this is not a top-of-the-line Nikon lens, it is not a junk lens. The low ISO settings on the camera should have prevented the graininess I observed. That left the camera or me.

I didn’t think it was the camera. After all, I’d come into photography the old fashioned way: using film. When dealing with film, the camera is just a mechanical device to get the exposure — at least at the level of camera I could afford. The lens handles the clarity of the image, so we normally put our money into good optics. Processing and printing (in the case of prints) are also important for the final result.

So it must be me, I reasoned. I resolved to try harder.

Time passed. I took a lot of photos. I started getting accustomed to disappointment. It was taking a lot of the joy out of photography. I’d do a shoot at an amazing place and get ho-hum images.

Nikon D80Then I started thinking more about the camera. I knew that my Nikon D80, which I’d had since 2007, had a 10.2 megapixel Nikon DX format CCD imaging sensor. Newer cameras offered higher resolutions (more megapixels or “piglets,” as my family calls them). They also offered different sensors. My husband’s D90, for example, has a 12.3-megapixel DX-format CMOS imaging sensor. And I knew that there were also cameras that had film-frame size sensors. Why the differences? Did it really matter? I began to get an education about how cameras differ in the world of digital photography.

By the autumn of 2010, I was convinced I needed a different camera. I was limited, however, because I already had a huge investment in Nikkor DX-compatible lenses. That meant that I couldn’t go with a film-frame size sensor in a new camera without buying new lenses. That also meant that any thoughts of jumping the good ship Nikon and boarding the S.S. Canon were not entertained. (Don’t get me wrong: Canon makes excellent equipment, too. But I know Nikon and have an investment in Nikon equipment; it makes no sense for me to switch.)

In November, I went to Tempe Camera to learn more. I was about 75% ready to plunk down up to $1500 for a new camera. But the sales guy educated me some more. Although I’d always seen my husband’s D90 as a minor upgrade to my D80, the sales guy told me that the software was far superior in the D90. I’d get better, clearer images from a D90.

Of course, my husband already had a D90, so it didn’t make sense to buy another one. I’d give it a go with his camera.

That didn’t work. When we went shooting together, he wanted to use his camera. Can you blame him? So I’d be stuck with mine and wouldn’t get the opportunity I needed to experiment with a different camera.

Nikon D7000I heard about the Nikon D7000 in, of all places, Wilson Camera on Camelback Road in Phoenix. We’d gone in there to get passport photos taken and the guy at the counter had been almost drooling over the D7000. I started doing some research. I liked what I read. Not only was it another [big] step above Mike’s D90, but Ken Rockwell, a highly respected camera reviewer, said:

The D7000 is Nikon’s most advanced camera at any price. The fact that it sells for $1,200 make [sic] it a no-brainer, which is why it’s sold out. The D7000 is Nikon’s best DSLR ever.

Holy cow. That was quite a statement.

I did more research on Nikon’s Web site. (That site, by the way, is an excellent and well-designed source of information about Nikon products and photography in general.) I liked the feature list. Better sensor, higher resolution images, programmable custom settings, more scene modes, true 1080p video capabilities — hell, it could even do time-lapse photography without an add-on intervalometer. There are a lot more features; if you’re interested I highly recommend reading up on Nikon’s Web site.

But Mr. Rockwell wasn’t kidding when he said the camera was sold out. Once I decided I wanted one, I spent two hours trying to track one down. Amazon.com was selling one for $100 above retail price. (I don’t pay more than retail for anything; heck, I seldom pay retail for anything.) Tempe Camera only had a kit, which came with the Nikkor 18-105mm lens. I don’t have that lens but I don’t need it either — and was not interested in spending $300 more for the camera with lens. A dozen calls all reported out of stock, although many dealers were willing to let me place an order anyway. But like the true American I am, I wanted immediate gratification — or as close to it as I could get. I was going to San Francisco in a few days and planned to use my new camera there.

I wound up on J&R’s Web site. I used to shop in the J&R store on Park Row when I worked in downtown Manhattan years ago. This was back in the mid 1980s, before digital cameras, when personal computers were in their infancy. J&R then was what chains like Best Buy and Fry’s Electronics are now. (Would love to walk through J&R again; maybe the next time I’m in New York I’ll make the trip down there.) I’d bought other camera and computer equipment from them in the past. Their Web site said they were out of stock on a D7000 body only, but I called anyway. The guy who answered in Maspeth, NY (in the borough of Queens, in case you’re wondering) said a shipment had just come in and the Web site evidently hadn’t been updated yet. They were selling at retail. Brand new, in an unopened box, packaged for U.S. sales. (I asked, of course; I know what goes on among some NYC camera dealers.) Free shipping would get it to me by Friday or Monday. I asked how much overnight shipping would cost. $27.27. Sold!

I expect it to arrive this afternoon.

Nikon GP-1 GPSIn a fit of crazy shopping mania, I also ordered the Nikon GP-1 GPS from Amazon.com. This device, which can attach to the camera’s hot shoe, will automatically geotag my images. This will seriously reduce my geotagging workflow and ensure that all of my photos are properly tagged. I even coughed up the $4 for overnight shipping to get that today.

Once I get the camera and learn to use it, the ball will be in my court. No more excuses; I’ll have good camera equipment and should be able to take better photos. If I can’t — well, I’ll only have myself to blame.

It’ll be interesting to see whether this camera takes me to the next level as a photographer. I’ve got my fingers crossed.

Interesting Links, January 24, 2011

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Here are links I found interesting on January 24, 2011:

  • This is the web right now – Once again, the Oatmeal has nailed it.
  • D7000 from Nikon – Officially on my wish list.
  • Shit Photojournalists Like – This is pretty funny, mostly because it’s so true. And, if any of my clients are reading this, I’m not laughing at you — I’m laughing with you at this. Hell, it applies to me sometimes, too.